We all may be players on the world stage, still the question remains why we reveal the psychological responses to the happenings depicted from the fiction, whether in print or visual demonstration, just as in real life? Just enjoy dreams our imaginations get introduced to us on the mental screen as if we had been watching television or movies. And just as in dreams the actual world becomes supplanted by the virtual world even though we are fully alert. That world still has great resemblance to the real one and what happening in it appears real as a result of something changing in our cognition school. However, the mechanism which triggers our emotional responses stays unchanged and consequently we react to this fiction in precisely the same manner as in real life.
Here we have some similarity with the virtual reality of the modern computer technologies, which can be an artificial environment created by software. It is presented to the viewer in this manner that the person temporarily suspends own belief pattern and takes it as a real atmosphere. In a way it is not different from the occurrence of being hauled to the imagined universe of fiction, except the computer doing the task is in mind and we don’t have any clue as to what is the software and who’s your developer.
This brings us to the cause of emotional response itself. In respect to fiction that the most frequent emotions are likes and dislikes that may turn into their more powerful types of hate and love. In real life we love or hate someone because of a few attachment through kinship, friendship, or through indirect knowledge of the individual. One cannot love or hate a person a person does not understand at all. Attachment can also be to other living beings, material things, and to fanciful things. We love or despise a narrative or even an idea. For an ordinary person it’s not possible to live unattached to items in the world. If one is able to get rid of attachment, one unites the rank of educated souls that are indeed rare. We carry our ability and desire for attachment into the fanciful world of fiction. We see the characters that we come to know as the narrative progresses, form our likes and dislikes, and react in the identical manner like in real life except we cannot socialize with them physically. But we do interact together in our minds and hearts from where the feelings come. As you can clearly see, what you will find out about next is some points are far more significant than others.
But that can vary a bit, and it really just depends on how you want to use the information. We really are just getting started here, and hopefully you will be excited about what more is in store. The balance of this read contains much more that will help your particular situation. Even following what is next, we will not quit there because the very best is but to come.
The fact is that at a certain sense life itself is fiction. Just like a narrative it has a beginning, an end, and also plenty of things in between. We do not know who writes this fiction will ever understand. Thus we’ve got an innate affinity with fiction and cannot fully detach ourselves from it. And perhaps that is the reason why, while studying or viewing fiction we get lost subconsciously in the wonderland of imagination, but for that brief period we function exactly in precisely the exact same manner as we would in the real world of our understanding. In that sense fiction is just invented reality.
Theme is the reason fiction things, since it is the quality that gives the story a universal appeal. Some say theme is what the story is about, but that is too ephemeral a definition, which might get confused with the idea or the plot.
Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the story forming the narrative’s heart and soul which the exposition, dialogue, and action reflect every chance they get.
Theme is not the characters or the storyline or the original idea that started the story. For instance, a writer may begin with the concept of exploring family connections between women, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, occasionally without the author’s understanding of it at the start; nonetheless, more seasoned writers typically work on their theme more difficult than any other part of the narrative once they catch on to what it is they are writing about.
In non-fiction, the author is advised to hone in to his subject and begin referring to it right at the very first paragraph. In fiction, on the other hand, the motif generally flowers through the writing as the story progresses.